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Christopher Munch’s boldly original debut, THE HOURS AND TIMES (1992), is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway. In the four days they spend together, the suave Epstein (played by David Angus) and the provocative Lennon (Ian Hart in his first starring role) reflect on their lives, both private and professional, as they explore the unique bond they share. Munch’s sparse and intimate narrative, captured with exquisite black-and-white cinematography, is a thoughtful meditation on friendship and sexuality, crafted around a brief moment in the lives of two extremely well-known pop figures.

About the Restoration

This new 4K DCP (Digital Cinema Package) of THE HOURS AND TIMES has been restored from the original 35mm negative elements. During the restoration process at labs in Los Angeles, a fine grain master positive film element was made at Fotokem from the original picture negative. The master positive was then scanned in 4K at Roundabout Entertainment for digital restoration and color correction. The audio was laid down using files from an early 35mm magnetic printmaster. Digital protection LTO7 tape elements, along with the master positive preservation film element will be archived at UCLA in their state of the art facility for generations to come.

This restoration was made possible in part by our generous partners Sundance, and UCLA Film & Television Archive.

Jan Bijvoet - Theo

Jan Bijvoet was born in Antwerp in 1966. He has been one of the artistic directors and actors of the Antarctica Theater since 2005. He has also performed in film and television, guest-starring in a number of series. He has starred in the films AD FUNDUM, THE BROKEN CIRCLE BREAKDOWN (Academy® Award nominee), and BORGMAN (Official Selection – Competition, Cannes 2013). In 2007, he was nominated for the Flemish Culture Award of Scenic Arts. Referring to the German explorer who was the inspiration for his character, he reflects that even though Grünberg tried to integrate with the native people, he could not let go of his white spirit. “He had the western way of thinking, and he wanted to carry hundreds of things to study. Love is possession, too. He is also afraid of death. He doesn’t understand why, but it’s because deep down, he is a materialist since his formation, even though he tries to drift away from it.”

Brionne Davis - Evan

Brionne Davis was born in Texas and started acting at a very early age, playing Tom Sawyer. He has starred and taken leading roles in more than 30 independent feature length and short films and television series, including REST STOP: DON’T LOOK BACK (2008), DOROTHY AND THE WITCHES OF OZ (2012), Pandemic (2007), NARCISSIST (2014), SAVAGED (2013), and HOLIDAYS WITH HEATHER (2006). In New York, Brionne starred in the Theatre Row adaptation of Sam Shepard’s “True West.” He has appeared in many theater productions all across the country, including “Wallenburg” at the Soho Playhouse, “A Noble Exile” in Los Angeles and “Nueva York,” a one-man show that he wrote  and produced, inspired by the writings of Tennessee Williams. Davis’ character “Evan” in EMBRACE OF THE SERPENT was inspired by the great botanist and explorer Richard Evans Schultes, and he feels close to him in his love of and search for plants and nature.

Antonio Bolívar Savador - Old Karamakate

Antonio Bolívar Salvador is one of the last survivors of the Ocaina people. He resides near Leticia and has had some previous experiences in filmmaking, but he prefers not to speak about them because he feels that they were disrespectful to his culture. Besides playing one of the main characters, he also served as interpreter for the Tikuna, Cubeo, Huitoto languages and even English, as he became the teacher of the international actors. He represents the best of the Amazonian people: willing to trust foreigners, to transmit their knowledge and thankful to be treated respectfully. That’s the most important aspect of the film to him: “It is a film that shows the Amazon, the lungs of the world, the greater purifying filter and the most valuable of indigenous cultures. That is its greatest achievement.”

Nilbio Torres - Young Karamakate

Nilbio Torres has never set foot in a gym; his amazing physique has been sculpted by the hardships of the jungle and the hard work he’s done since he was little. The 30- year-old has only worked in agriculture and this is his first experience with the cinema. He has a hard time expressing himself in Spanish, as he speaks mostly Cubeo. But he manages to find words to tell what this experience has meant to him. He feels the film is faithful to the story of his ancestors. “What Ciro is doing with this film is an homage to the memory of our elders, in the time before: the way the white men treated the natives, the rubber exploitation. I’ve asked the elders how it was and it is as seen in the film, that’s why we decided to support it. For the elders and myself it is a memory of the ancestors and their knowledge.”

Yauenkü Miguee - Manduca

Yauenkü Miguee was born and raised in Nazareth, a Tikuna community of the Amazon, 26 years ago. He is now a student of physical education in Bogotá and is about to achieve his greatest goal: to become a professional. He defines his participation in the film as a new experience in his life, this time from the field of art and corporal expression, which reinforced his thinking and showed him how to see life from different perspectives. He believes this film should be shared not only with the people of the locations, but all across the country, with all the indigenous peoples in Leticia and the Amazon, with the leaders, in schools and universities. He is the voice of many Manducas, a voice that, far away from the so-called civilization, cries out for a more civilized attitude towards Colombia’s indigenous communities.

Christopher Munch - Director, Screenwriter

Christopher Munch’s most recent feature, the wilderness drama LETTERS FROM THE BIG MAN (2011), starred Lily Rabe and was a New York Times Critics’ Pick. His earlier features include: THE HOURS AND TIMES (1992), about Beatles’ manager Brian Epstein and John Lennon (prizes at Berlin and Sundance); COLOR OF A BRISK AND LEAPING DAY (1997), a lavish 1940s drama about a railroad to Yosemite; THE SLEEPY TIME GAL (2001), a mother-daughter story starring Jacqueline Bisset and Martha Plimpton; and HARRY AND MAX (2004), an unconventional family dissection. Munch is a past Guggenheim fellow, recipient of two Independent Spirit Awards, and has been featured in two Whitney Biennials, among other honors. His current feature, THE 11TH GREEN, a speculative chronicle of President Eisenhower’s long-alleged involvement in extraterrestrial events, is currently in post-production.


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  • “Uncategorizable, unforgettable. . . . Munch’s brave and moving film achieves his goal beautifully.”Peter Travers, ROLLING STONE
  • “The first-rate performances and mature conversation and emotion are missing from today’s homogenized and so often juvenile American movies.”Siskel & Ebert
  • “Exquisitely written and performed. Munch’s understated vignette announced the arrival of a young but fully mature talent.”David Ansen, NEWSWEEK
  • “A sharp, concise, evocative film about friendship.”Vincent Canby, NEW YORK TIMES
  • “A spare, but highly polished examination. . . . Not only is the acting strong yet understated, but the script has the knack of creating both character and relationships through dialogue. This enhances the film’s sense of eavesdropping on an intricate psychological reality, something that is especially difficult to achieve when the fictionalization of celebrities is involved.”Kenneth Turan, LOS ANGELES TIMES


For press inquiries, please contact:
Sydney Tanigawa
212-219-4029 ext. 41
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For booking inquiries, please contact:
Andrew Carlin
Oscilloscope Laboratories
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For all other inquiries, please contact:
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